TAPS
I, too, have felt the chills while listening to "Taps" but I have never seen
all the words to the song until now. I didn't even know there was more than
one verse. I also never knew the story behind the song and I didn't know if
you had either so I thought I'd pass it along. I now have an even deeper
respect for the song than I did before.
The Truth
Taps was composed in July 1862 at Harrison's Landing in Virginia, but after
that the fanciful
parts way with reality. There was no dead son, Confederate or otherwise; no lone
bugler sounding out the dead boy's last composition. How the call came into
being was never anything more than one influential soldier deciding his unit
could use a bugle call for particular occasions and setting about to come up
with one.
If anyone can be said to have composed 'Taps,' it was Brig. Gen. Daniel
Butterfield, Commander of the
Whether he wrote it straight from the cuff or improvised something new by rearranging an older work, Butterfield brought 'Taps' into being. With the help of his bugler, Oliver W. Norton of Chicago, the concept was transformed into its present form. "Taps" was quickly taken up by both sides of the conflict, and within months was being sounded by buglers in both Union and Confederate forces.
Then as now, 'Taps' serves as a vital component in ceremonies honoring military dead. It is also understood by American servicemen as an end-of-day 'lights out' signal.
When "Taps" is played at a military funeral, it is customary to salute if in uniform, or place your hand over your heart if not.
Barbara "tap answer" Mikkelson
Taps
REMEMBER THOSE LOST AND HARMED WHILE SERVING
THEIR COUNTRY.
And also those presently serving in the Armed Forces..
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